Operating as a one-person business, Yeoh manages all aspects of production. She maintains a strict work schedule to meet delivery timelines, though the physical demands of pottery — including heavy lifting and long hours at the wheel — can be taxing. “I am fortunate to have clients who are very patient and understanding of my one-person operation,” she said. “They appreciate the care and time I put into creating their pieces and for that I am always grateful.”
ENVIRONMENTAL PRACTICE
Located just five minutes from the beach in Penang, Yeoh’s studio in George Town reflects her deep connection to the island. “The abundance of art here, both new and old, is incredibly inspiring,” she said of her hometown. “There’s a lot of synergy among the creators and small business owners here.” As a self-described “born and bred Penangit” and island girl at heart, Yeo’’s work is profoundly influenced by the sea. She frequently finds herself drawing inspiration from the calm sandy beaches, and sometimes incorporates local elements into her pieces, such as using collected shells to stamp designs. “This allows me to share a piece of the island through my work,” she explained. Her products are sold at locally curated stores like Sixth Sense and Suka Suka, where she enjoys working with owners who are creatives themselves.
Sustainability is also a key consideration in her practice. Yeoh is acutely aware of pottery production’s significant carbon footprint, from firing emissions to the use of mined raw materials. To minimise this impact, she uses an electric kiln for lower emissions, makes glazes in smaller batches, reclaims clay trimmings, and reuses packaging materials where possible. “I believe the small things add up,” she noted. “When cared for properly, ceramics can last a very, very long time,” she added.
TAKING SHAPE
